October 2019 IF Symphony
Tempo Reference

Franz von Suppé, Morning Noon and Night (preferred recording)

Measure 13 Andante amoroso, eighth=92 in 6

Measure 52, Allegro appassionato, quarter=152-160 in 2

Jacques Offenbach, Orpheus in the Underworld Overture (preferred recording)

Measure 1, Allegro con fuoco, quarter=172 in 4

Measure 48, Lento, quarter=66 in 3

Measure 80, Allegro vivace, quarter=160 in 2

Measure 110, Allegretto, eighth=112, in 6

Measure 129, Piu mosso, dotted-eighth=72, in 2 (Waltz)

Measure 150, Andante, eighth=126, slow 2

Measure 165, Allegro, quarter=176 in 2 (Can-Can) all repeats are good

Mussorgsky, Night on Bald Mountain (preferred recording)

Opening, Allegro feroce, half=104-108

Rehearsal C, Poco piu sostenuto, half=84

Rehearsal D, Allegro feroce, half=108

5 after F, Poco piu sostenuto, half=84, accelerando (Same 5 after T)

Rehearsal G, Animato assai, half=108

Rehearsal H, Piu sostenuto, half=80

Rehearsal I, traditionally faster, half=88

Rehearsal L, Tempo primo, half=108

Rehearsal W, half=72, slow 2

Rehearsal Y, quarter=72 in 4 (half time)

Saint-Saens, Carnival of the Animals (preferred recording)

No. 1: Opening Andante maestoso, half=60, in 2.

Then 3 before Rehearsal 3, Piu allegro, half=84.

No. 2: Half-note=100

[No. 3: pianos alone]

No. 4: quarter=44

No. 5: eighth=126 in 3

[No. 6: pianos alone]

No. 7: quarter=66, slow 4

No. 8: quarter=120 in 3

No. 9: quarter=66

No. 10: quarter=72

No. 11: quarter=76

No. 12: half=108-120

No. 13: quarter=66 in 6 (all cellos play Swan solo)

No. 14: half=100 in 2